Celebrating nine female storytellers as contemporary muses and sources of inspiration for the launch of CLEAN PROSE’s co-working space for writers.
photography Derrick Kakembo creative & production Chinasa Chukwu, Elvira Vedelago styling Femi Ayo make-up Eliza Clarke, Michelle Leandra hair Shanice Noel, Shada Jenkins set design Ellie Koslowsky
To celebrate the launch of CLEAN PROSE’s new co-working space for writers, POSTSCRIPT’s upcoming exhibition, Muses, highlights nine female storytellers as contemporary sources of inspiration.
Female authors are still being pigeonholed today, facing challenges at every level - whether publishing, media coverage or literary recognition - so it feels of the utmost importance to continuously support women's stories. For women of colour, this is even more restrictive, as finding spaces in the media to discuss, comment on and express ideas outside of race is often limited. The photographs from this exhibition are a chance to champion those that are breaking the mould and creating space for more WOC writers to showcase their multiplicity as women and as people of colour.
Below, we ask our nine muses to share with us their most significant experiences writing as women of colour to date. We hope you feel as inspired by these women as we have been and continue to support their work in future.
alya mooro
/journalist/
“The feedback I'm receiving so far from friends, family and strangers about my debut book, ‘The Greater Freedom: Life as a Middle Eastern Woman Outside the Stereotypes’, has really shown just how needed this narrative is and it feels great to have the book starting some important conversations.”
sara collins
/author/
“being the first black woman to have a novel selected as Waterstones Book of the Month (in August) was pretty special, as well as receiving an endorsement from Margaret Atwood who is one of my literary heroes. But, from my perspective as a woman of colour, the most significant experiences have been meeting young women who aspire to be writers - a few of them show such tremendous potential that they have inspired me.”
irenosen okojie
/writer/
“Working on my debut novel was a transformative milestone where I was able to write about the Benin kingdom and Benin history. Exploring this cultural inheritance gave me so much courage, joy and power. Making black lives visible, nuanced and rich with complexity reinforced the alchemy of a writer's imagination. I wanted this book to exist so I made it happen."
khairani barokka
/writer/
“We are living in a toxic mess of signals to hate ourselves, to tamp down our self-love. Unapologetically proclaiming my own power, sense of humour, and sense of community as a disabled woman of colour in the world through writing, art and performance means the world to me.”
stephanie yeboah
/blogger/
“I wrote an article about a specific dating experience and how it relates to women who live within an intersection of being plus sized and black, and the negativity one could experience from people there. It brought forward a larger conversation about prejudice and really opened my eyes to the thoughts of specific demographics of people and how they thought about people who do not look like them.”
anjali ramachandran
/director/
“My most significant experience writing has been that of always feeling the importance of being empathetic to people of different cultures, and women with different experiences, no matter if their opinions and thoughts don't match mine. It's so easy to be in a bubble of your own in today's world that it takes an extra effort to make sure that your voice and projects are truly representative of who you are and what you think, but it is always worth it. More than that, it is important to act on.”
lady nade
/singer/
“In partnership with Ujima Radio, I was invited to perform and share a social activism personal testimony. I spoke passionately about the importance of inclusivity within a community regardless of race, and how important music is in bringing people together."
kafayat okanlawon
/advocate/
“It was very important when working on this project that I included women and girls who do not see themselves as writers, which was the same for my mother and grandmother. For them to contribute to ‘This Is Us’ and become published writers in a book that their daughter and granddaughter created is very special to me.”
ria lina
/comedian/
“It was really eye opening to find out that one of the barriers I face as a woman of colour is being not 'too' ethnic but not ethnic enough. I was told I was too ethnically ambiguous for television because "Who would watch me?". The idea that we are only of interest to our demographic or perceived diaspora is limiting, insulting and naive. Of course the only response to such an outrageous question had to be, "I don't know, women? The educated? Pretty people? I tick so many other boxes..."
The portraits will be will be on display at Clean Prose until 15th December. They are also available for auction, where sales will fund a POSTSCRIPT fellowship for a woman writer of colour. If you are interested in bidding on an image or would like to apply for the the residency programme, you can find further information at www.cleanprose.com.